Troubling Peripheries: Pierre Restany and Superlund

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چکیده

SummaryThis article chronicles the French critic Pierre Restany and his 1967 exhibition Superlund at Lunds Konsthall in Sweden. Throughout life work travelled globe engaged local art scenes, often described as peripheries. But when did Lund, a town southern Sweden, become periphery, with reference to which centre? When so-called peripheries order escape scene Paris, he also brought him Paris symbolic centre.This explores how conflate dichotomy historiography between centre periphery intersection place, people art.

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ژورنال

عنوان ژورنال: Konsthistorisk tidskrift

سال: 2021

ISSN: ['1651-2294', '0023-3609']

DOI: https://doi.org/10.1080/00233609.2021.1884597